Is shooting in LOG (color selection) with the P3P about the same as shooting (and editing) with ProTune on the GoPro?
Or is it apples and oranges?

Or can you just process LOG video in GoPro Studio and "manage" the color by adjusting white bal, saturation, etc., to make it look
like it should (or like you want it to look)?

As both an amateur and a newbie, I'm not willing to spend a fortune on processing software - at least not yet. I tried to  keep up for a while
when I first got into the world of DSLRs, but, if you keep up, it's starts getting costly pretty quickly.

For my initial forays into video shooting and processing, I prefer the KISS method - Keep It Simple, Stupid!

Is shooting in LOG (color selection) with the P3P about the same as shooting (and editing) with ProTune on the GoPro?
Or is it apples and oranges?

Or can you just process LOG video in GoPro Studio and "manage" the color by adjusting white bal, saturation, etc., to make it look
like it should (or like you want it to look)?

As both an amateur and a newbie, I'm not willing to spend a fortune on processing software - at least not yet. I tried to  keep up for a while
when I first got into the world of DSLRs, but, if you keep up, it's starts getting costly pretty quickly.

For my initial forays into video shooting and processing, I prefer the KISS method - Keep It Simple, Stupid!