orbitrob Posted at 2018-8-30 14:13
Thanks for sharing your thoughts Mauro. Much appreciated.  I'm a total newbie and this answers a lot of my MANY questions!

Glad that it was helpful

DALLEN Posted at 2018-8-30 15:07
Great help. I have my MP2 Hasseblad on order...where do I find square ND filters that fit, and probably more importantly, since I shoot over water often, where do I find polarizing filters that fit?

You will need to wait a month for Polarizers from PolarPro. The plan to release them by the end of september. The  Original DJI ones semms out of stock

Novadesigns Posted at 2018-8-30 15:25
Is this an actual input LUT or a post process preset? Thanks!

It-s a Lut that you import on your editing program. It almost plug and plaz if you shot in DLOG-M and exposed properly-

Andrew_tw Posted at 2018-8-30 19:54
great video. thanks for making it.
will definitely try it out, and your LUT.

Glad to hear that

trica de Posted at 2018-8-30 20:58
I've triedit yesterday the contract is very nice but the overall picture is looking a bit dark for me. I assume this lut will work much better if you have a blue sky with crasy sunlight ;)

The LUT will actually work the best in sunset and sunrise..

Jos A Posted at 2018-8-30 21:03
You are quick, I don't have the Mavic Pro 2 but the Mavic Pro and I use your LUTS a lot in Davinci Resolve and Filmora. They are really good.

Awesome man

Amazing work as always, thanks for your tips! I'll give this a go when I visit Italy in a couple of weeks time.

travelswithlewi Posted at 2018-8-31 01:21
Amazing work as always, thanks for your tips! I'll give this a go when I visit Italy in a couple of weeks time.

Great! You will have fun!

Hi Mauro, congrats again for the great info. I have one question for you, there are several rumors that the M2P's image is soft in FoV, have you experienced anything like that?

DALLEN Posted at 2018-8-30 15:07
Great help. I have my MP2 Hasseblad on order...where do I find square ND filters that fit, and probably more importantly, since I shoot over water often, where do I find polarizing filters that fit?

Check PolarPro for their Polarizer Kits. Also DJI is making a series of filters for the new Mavics.

Great video as always Mauro! The intro was amazing and very professional, your compositions and scene choice were spot on. My Mavic 2 Pro isn't here yet but would be interesting to learn what you've found to be the best export settings for youtube uploads. Thanks, D.
After thought and edit: I guess you could make an export preset for premiere pro and give it away when people sign up for your newsletter.

El Diablo Posted at 2018-8-31 03:14
Hi Mauro, congrats again for the great info. I have one question for you, there are several rumors that the M2P's image is soft in FoV, have you experienced anything like that?

Hey mate. I am testing all the settings any picture profiles. Didn't notice any softness for now

Chasing Light & Shadows Posted at 2018-8-31 04:53
Great video as always Mauro! The intro was amazing and very professional, your compositions and scene choice were spot on. My Mavic 2 Pro isn't here yet but would be interesting to learn what you've found to be the best export settings for youtube uploads. Thanks, D.
After thought and edit: I guess you could make an export preset for premiere pro and give it away when people sign up for your newsletter.

Hey mate. Thanks for the ideas and intro congrats. I will think of it in some next videos..  And thanks for the follow...

Mauro, thanks for the LUT!

I haven't had a chance to try it in challenging conditions yet, but I have a couple of questions.  In some of your videos the sky still seems too bright.  With 10 bits in the HQ mode is it possible to be more aggressive and bring the highlights down more?  Also, would it be reasonable to have one LUT, or a family of LUTs for HQ, and a separate family for the FOV mode with just 8 bits?

djiuser_u1fioz8UrNqU Posted at 2018-8-31 08:24
Mauro, thanks for the LUT!

I haven't had a chance to try it in challenging conditions yet, but I have a couple of questions.  In some of your videos the sky still seems too bright.  With 10 bits in the HQ mode is it possible to be more aggressive and bring the highlights down more?  Also, would it be reasonable to have one LUT, or a family of LUTs for HQ, and a separate family for the FOV mode with just 8 bits?

Hey mate. You are welcome. Developing a couple and separate versions of LUTS deserves a lot more time. On the sky i could have played more but if you ever filmed in sunset conditions..this is pretty much what you get if you want any details in the ground and not on the sky. The line path of the sun is low..making the ground dark. And you have to push up the exposure to conpensate...loosing the sky...

djiuser_USgnnXK0QCsr Posted at 2018-8-31 14:55
I will be adding my YT video showing Mauro's Films hard work.  I think it's very good!!  Thank you again.

Thanks a lot for the support!

All this is the level, saturation, and contrast correction. I usually do that in postproduction. The problem is that different light conditions and scenery needs different pre setting.
There is no best universal setting for all situations.
But the problem with the videos on the web is in quality downgrading due to compression and the size reduction. The originals looks much better for sure.
For those who have never been engaged in photography before, instructions in this post are very useful for sure and can serves as a starting point of further personal improvements.   

andy10 Posted at 2018-9-1 23:34
All this is the level, saturation, and contrast correction. I usually do that in postproduction. The problem is that different light conditions and scenery needs different pre setting.
There is no best universal setting for all situations.
But the problem with the videos on the web is in quality downgrading due to compression and the size reduction. The originals looks much better for sure.

Such a pleasant comment to read!

Mauro's Films Posted at 2018-8-31 07:45
Hey mate. I am testing all the settings any picture profiles. Didn't notice any softness for now

Thank you Mauro, great info as always

Perfect! Thanks!

Although having just moved to Premiere Pro, i was struggling to see why the exported films were so flat. Then  I changed to VLC and the rendering was spot on. I had not realised how dire Quicktime was until yesterday.

I like your article. Thanks for sharing
Thanks
punctuationcheck.com

Hairy Cow Films Posted at 2018-9-3 01:45
Perfect! Thanks!

Although having just moved to Premiere Pro, i was struggling to see why the exported films were so flat. Then  I changed to VLC and the rendering was spot on. I had not realised how dire Quicktime was until yesterday.

I'm pretty sure it has something to do with the 16-235 or 0-255 range in your player settings.

Great tips and information, Thanks you're a total pro man!

smithethan801 Posted at 2018-9-3 20:29
Great tips and information, Thanks you're a total pro man!

Thanks a lot for the support!

Chpouky Posted at 2018-9-3 10:46
I'm pretty sure it has something to do with the 16-235 or 0-255 range in your player settings.

Shall have a play later, see if there is anything missing

Hi Mauro!
I really enjoy to watch your videos! This one was fantastic also! I think that your footage gets better and better all the time

escore Posted at 2018-9-4 12:04
Hi Mauro!
I really enjoy to watch your videos! This one was fantastic also! I think that your footage gets better and better all the time

Thanks a lot for the awesome support...

Very interesting

Very helpful. Thanks a lot!

Can I ask - what EXP settings are being used?

Thank you for sharing the useful setting approach.

Satureyes Posted at 2018-9-8 13:12
Can I ask - what EXP settings are being used?

Standard 4K Youtube Premiere Pro preset.

djiuser_PEp4mLwh74c7 Posted at 2018-9-8 13:27
Thank you for sharing the useful setting approach.

Glad that you liked it