DJ DJ
lvl.4
Germany
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djiuser_i3zt0NMy2j4m Posted at 2-23 23:04
When I adjusted the lens it solve the problem of near focus but it is not much focus on distance subjects as earlier. I am still testing...but i feel either we have to loose Near sharpness or distant sharpness,which is not good.
Maybe you overdid it a bit and could try turning it back a little.
I may give it a shot this weekend and try "breaking" my camera to slightly lower the close focus distance. I was pleased with 45cm, 60cm is tack sharp on my one, so maybe it is just a little nudge in the right direction. But when I start filming myself - what I normally don't do, but who knows - I sometimes tend to fall below the close focus distance (45cm on mine).
As it's a fixed lens, there is technically just one distance, where the lens is actually sharp, but the depth of field is huge cause of the short focal length, so nearly everything appears in focus.
The depth of field should extend from about 30cm to infinity from the specs of the camera, but that is just an approximation by judging, how big the circle of confusion is allowed to be so that the focus seems acceptable. The more sensitive you are - and the better you eyesight is ;) -, the better you realize the point where soft focus kicks in.
The trick is to move the focal plane just as far as infinity still appears in focus (hyperfocal distance) - remember, it never is but that should not be noticable. From what I have seen in many reportings, 30cm should easily be possible without loosing infinity sharpness.
It may even vary with your use case. When the action takes place right in front of you (self shots/vlogging), you may even choose to sacrifice a little bit of sharpness at infinity as that may feel less disturbing than a slightly blurred face against a sharp background. When you do more panoramic shots, you obviously don't want to loose a sharp scenery.
I sometimes experienced blurred foreground objects with active stabilization. Seems weighted on the whole FOV with background having a large share. As one or the other has to be blurred by parallax movement the algorithm seems to choose the background to be sharp.
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