alan
lvl.2
United States
Offline
|
The standards you work to will justify the price. If you can't work to higher standards, you can't get the higher prices. The other side is how much value this will be to the client. If they really need a high quality product and are going to spend money for air time and marketing, then they can justify investing more in a good product. But if their needs are minimal, they won't. You have to determine what kind of client you have. At the high end, consider that a single page in Cosmopolitan was about $237,000 in 2010. So the cost of the photography for an ad that would run many times in various magazines is trivial by comparison. They are not going to hire a photographer who only charges them a few thousand for an ad that has millions of dollars in ad space.
The average cost of producing a national 30 second TV spot is $342,000. (Production only - not including the cost of any air time.) Of course that is not what you are doing but is an example of what it costs to produce what we are typically used to seeing. But what is the possible use this client has for your product? Are they doing on-line marketing with it? Are you considering all of the possble ways they may use your video when selling all rights or are you licensing for limited usage? (Maybe limited in this case but I'm making a general point here.) Even wedding videos can run up to $6500 or more and they are not being broadcast or used in kiosks, internet marketing or anything like that.
American Society of Media Photographers pricing guidelines.
http://weddings.costhelper.com/wedding-videography.html
http://www.ehow.com/info_10016643_average-cost-advertising-fashion-magazine.html
http://www.webpagefx.com/blog/business-advice/the-cost-of-advertising-nationally-broken-down-by-medium/
Don't leave money on the table either or undercut other professional shooters by not understanding the value of your product. This happens in commercial photography all the time by people who don't understand the business. Are you planning to just make some pocket change or will this be a full time business?
Why do you think plumbers and electricians have to charge so much? They are running a business and have assocated overhead. They wish to be able to pay for their family's needs, college for their kids, and retirement. Why should it be different for photographers?
You also have to determine where you want to position yourself in the marketplace. We are not producing a commodity. But if you are starting out, you can't charge as much... unless your work is very polished. But give yourself a place to aim for and a business plan. I get paid very well for ground level exterior work of homes and buildings too but a lot of potential clients won't pay for it. So? I don't need those kinds of clients but I did that work starting out.
Btw, you risk the cost of your Inspire each time you fly... in practice and on the job. That is not true with ground level shooting. I might spend two days efiting a 5 minute final product...especially when the client collaborates and makes changes. As for charging for raw conversions on still photos...many photographers charge post processing fees or factor that in to a fixed price that liimits the number of finished images.
|
|