hpmoon
lvl.1
United States
Offline
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Problem is definitely not solved.
As a baseline presumption, everyone should be shooting in H.265 without any debate, as it offers higher quality compression at the same 100 Mbps bitrate (e.g., lots of leaves fluttering in a tree get much more faithfully reproduced).
My Phantom 4 Pro V2.0 spits out about 1 corrupt file out of every 10 or so. Premiere cannot ingest it, and the only stopgap is to do a destructive render outside of the Creative Cloud ecosystem (I use Handbrake).
Since we should only be using H.265 now (seriously), and this is a known problem, we shouldn't let this become a "who makes the first move" situation. DJI and Adobe need to put their heads together and figure it out.
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