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Just some info, from my own equipment.
D-Movie shooting functions
Full HD video quality and minimized rolling shutter effect: Dynamic movie shooting in diverse lighting situations
Many filmmakers, multimedia professionals and still photographers need the highly mobile, lightweight and compact form of a D-SLR in order to cover large events or make documentaries, music videos or movies. For these professionals, the D800/D800E are ready to create true cinematic experiences. By using the B frame data compression method, you can record 1080p Full HD video at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity for up to approx. 29 min. 59 s* of recording in a single clip. Thanks to Nikon's latest image-processing optimizations, the monumental power of 36.3 megapixels transforms to sharp, exquisitely rendered videos. Expect exceptionally smooth gradation in blue skies, with minimum block noise and beautifully natural movement rendered clearly and sharply. The D800/D800E's intelligent image sensor reads out movie images at faster rates than ever, significantly reducing the rolling shutter distortion that can occur during panning shots or when shooting fast-moving lateral subjects like trains. Thanks to EXPEED 3, your movies will take on a distinctive look of their own, even with dimly lit scenes. Combine these benefits and you'll begin to realize exactly the new creative opportunities possible for photographers and cinematographers alike.
*Maximum recording time varies according to frame rate, frame size and image quality settings. Maximum recording time for time-lapse photography is 20 min.
Multi-area mode Full HD D-Movie: Creative movie-making freedom in FX- and DX-based formats
The D800/D800E are designed to stimulate cinematographers to explore different moods and perspectives by enabling Full HD and HD video recording in two frame formats; Nikon FX- and DX-based movie formats in just one camera. When using wide-aperture NIKKOR lenses, the large image area of the FX-based format* renders exquisitely shallow depth of field with beautiful bokeh effects. The DX-based format uses an image area similar to 35mm movie film, allowing cinematographers to shoot with picture angles that they are accustomed to. Having the advantage of two D-Movie formats in one camera and an arsenal of NIKKOR lenses makes the D800/D800E an incredibly versatile movie-making tool.
Further more, from a similar frame of mind.
How long can a video clip be when recording with the D800/D800E?
You may have noticed there is a recording limit for video on the Nikon D800/D800E. The limit in high quality is 20 minutes and in normal quality 30 minutes (minus exactly one second!), regardless of resolution and frame rate.
At the highest quality and resolution, a 20-minute file is a bit more than 3.5GB, coming close to the file system limitation of 4GB per file. However, it's technically possible to seamlessly start a new file every time the 4GB boundary is met. Moreover, it does not explain the limit on lower settings.
The limit of 29 minutes and 59 seconds is actually not a software or hardware limitation at all. Devices that can record 30 minutes or longer at a time qualify as video recorders by European law and are therefore subject to a 5.4% higher import duty. The original idea behind this is aimed at video recorders that can make -possibly illegal- copies of television shows or movies. The 5.4% is used to compensate the theoretical loss of royalties to copyright holders. While this hardly makes sense for cameras, the law does apply to them.
For some manufacturers this law is beneficial as it protects their line of video cameras, but this goes not for Nikon. Still, Nikon has this limit built in for all cameras worldwide. In fact, all DSLR brands have this limit. I would have gladly paid the extra 5.4%, but I'm afraid we will have to await a firmware hack.
If you are serious about video there is a solution: the external HDMI recorder that can plug in to the D800. If you bought the recorder in Europe, you can bet the 5.4% was included in the price. The fixed artificial time limit does not apply with an external recorder, but you still cannot shoot indefinitely. When the sensor becomes too warm, the camera will stop end live view as an overheating protection measure. In practice, you should be able to shoot about an hour at a time, depending on the ambient temperature.
The EN-EL15 battery will probably last no more than an hour, so I would suggest the AC power supply.
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