dar1
lvl.2
Flight distance : 68537 ft
United States
Offline
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Wanted to update this thread with some insights from additional test flights I've done recently that show I can overcome some of the limitations I originally posted about...
Using the medium tele camera with waypoints:
Regarding M3 Pro waypoint missions not being able to use any camera other than the main Hasselblad camera, I've found that it is possible, despite DJI saying that only the main camera is supported. I guess it might be considered a slight "hack" but here's what I did to allow the medium 70mm tele on the M3 Pro to be used both for automatic waypoint photos as well as automatic waypoint videos -- the solution was quite simple:
I found that if I manually selected the desired camera (ie, selected the 3X medium 70mm tele) AFTER launching the waypoint mission but PRIOR to reaching a waypoint with a camera action, all subsequent waypoints with camera actions would continue to use that same selected camera. S
So, with that simple method, I was able to take automated waypoint photos and videos with the 70mm tele camera -- that was a nice discovery. The problem I saw previously happened because I was selecting the desired camera BEFORE launching the waypoint mission, and then when the waypoint mission was started, the camera would always automatically be reset to the main Hasselblad camera.... so waiting until after mission launch to select the camera seems to make all the difference.
Taking AEB photos in a waypoint mission:
In my additional test flights, I continued to verify that automatic waypoint photos cannot take any photo type other than single shot (which DJI confirmed as a limitation). Any time I set the photo mode to multi-shot AEB prior to reaching a photo waypoint, the photo camera action at the waypoint would always turn off AEB mode and take a single shot (I had waypoint hover periods set to accommodate a stationary period for the multiple shots, but it did not matter).
So, as a workaround, I would set the photo waypoint to just a hover period (up to 30 seconds), with no automatic camera action --- then, when the hover period started I knew the waypoint was reached and the drone was stopped, I would simply hit pause (either the RC pause button or the on-screen pause button) at which point I was free to manually take any type of photo, including AEB --- so, although it required a manual interaction at each AEB photo point, it was a solution that worked for me --- I was still able to get the full benefit of the pre-planned waypoint positions, headings, and gimbal angles, so that running the mission on different days/times would produce identical shot composition.
Also, fwiw, the pilot can pause the waypoint flight at any time and at any point between waypoints, and take AEB shots manually at that time while the drone is paused/stopped, followed by a resume to continue the mission.
Mixing automated video recording with automated photo shots in the same mission:
While automated photo and video start/stop actions can't be done at the same waypoint, and photos can't be taken while video is being recorded, I did verify that I can take photos at certain waypoints, and also start and stop video recording at other waypoints, meaning that the mission can automatically change from photo mode to video mode in the same mission, or vice versa.
This is something I was not sure was possible (good to see that it is) given that waypoints generally can't change shooting modes or photo/video settings.
So, hope this helps anyone who might be interested in getting a bit more out of their waypoint missions. Would like to here from anyone who has other insights or workarounds for these particular issues on Mavic 3 / Mavic 3 Pro.
BTW, I understand that most likely none of these limitations are present when using Litchi or (even better) Dronelink, but since neither of those apps are available for the Mavic 3 or Mavic 3 Pro due to the lack of a released SDK, those solutions are of no value for these drones. Dronelink does support the Mavic 3 Enterprise, but the M3E has other issues that limit its creative camera capabilities, such as not supporting 60fps and not supporting D-Log profiles.
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